A Pocket That Could Hold the Universe

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"We need enormous pockets, pockets big enough for our families, and our friends, and even the people who aren't on our lists, people we've never met but still want to protect. We need pockets for boroughs and for cities, a pocket that could hold the universe." - Extremely Loud and Incredibly Close by Jonathan Safran Foer

This is for the sleepless.
It is for those who’s souls
stir with words and pictures,
emotions and ideas.
The souls that still hum
like mad as if to
awake the sun itself.
This is for those who’s night time thoughts
are bird’s wings,
beating frantically against
the confines of a skull.
This is for those who’s eyes
grow heavy but
their mind has gotten lost
somewhere
and cannot come home to rest.
This is for the sleepless,
the companions of stars
and streetlights.

Skin like woodgrain
pocks, knots, wrinkles,
imperfections.
This wasn’t here last week
I didn’t see this yesterday
I’m sure that wasn’t here
this morning.
Flawed wood is
rustic,
vintage,
original.
Tell me, because it seems
I’ve forgotten,
but what do we call
flaws of the skin?
Ugly.

So another year

fades out like a cigarette

thrown onto pavement.

It trails off like a mistaken question

and no one asks

what you meant to say.

The past year has left

a funny taste in my mouth,

so pass me a drink,

and lets chase it with

another year with which to grow.

Your eyes that lust for sleep

are folded between lavender wrinkles

from too much black coffee, up-all-nights.

Fingertips like the lay-here-all-day light

hazy grey that washes over my sheets

filtered through an autumn rain storm.

You wrap me up in sleepy love

and darling, I’ve got nowhere to be.

And so I fell in love

with the grain in those old photographs

and their yellowed edges

with the coffee rings on postcards

and the stamps with the state bird on them.

I fell in love with

pink peonies from the backyard

stuffed in empty jam jars

that decorated the picnic table,

and the tire swing that fell out of use.

If I can fall in love with all these things,

what’s stopping me

from falling for you?

I want to test your skin.

I want to watch your hair stand on end

as I run my fingernail over its surface.

I want to feel it give beneath

the pressure of my finger

as I press

here

and

there.

I want to hear your breath catch

as I circle your naval.

I want to follow

every line, bend and curve

just to see where they go.

Darling, I want to test your skin.

It’s 8 o’clock and

the street lights follow suit.

A soft rain breathes over the city

turning the streets into

pages of watercolor swatches.

An air of intoxication

washes over it. Like

a young couple drunk on merlot.

The tension eases and laughter comes easily.

The hues of companionship and conversation

become tinged with warm lust.

The edges become blurred and

the steam rising from the streets

blankets historic district

in a romantic haze.

And so the cobble stone and oak trees

sing drunkenly into the night with the rain

and the street lights dance without inhibition.

I do not have a mind.

I have an attic.

Light spilling into a musty room

through moth eaten curtains

catching startled dust motes

turning them to glitter

kicked up by the grey mouse mother

scurrying back to her nest

with a dinner of crumbs.

Look closer.

Photo albums full of photographs

of people,

of places,

of moments.

Monica, with her daybreak soul,

challenging the world through the sunroof

of the Volvo.

Smoking cigarettes with someone

who needs them more than herself.

To think this started in a church parkinglot.

Denton and the white porch swing,

his “I can do anything” jaw set, but his eyes

are like notes plucked from a banjo,

ringing pure, deep and true.

The stars and “World at Large” were there

the night everything changed

but stayed the same.

I am a ghost,

the fog on your Polaroid,

the dead leaves

in the doorway

that startle about your feet.

I am the scent

in the pages of the books

you read in coffee shops

as the late evening sun

pours in through

the shop windows

catching the steam

dancing up from the

white cardboard cup.

I want so badly

to be tangible to you.

To be more than

a fleeting specter.

Dreams

half awake, or half asleep

whichever, I don’t know.

You sound so far

far away.

Like the TV mumbling

in the room down the hall.

You’re splashes of color

flashing and morphing

against the walls in the dark.

Formless shapes and

muffled sounds

please find the remote

because I can’t sleep.

When does one learn

how real death is?

When does a child learn

that death is more

than a forever vacation?

Is it when Buster

runs into the street

and yelps his last

as the white Sedan

paints its grill red?

Or is it when daddy

takes his youngest

and by far most sensitive

little boy hunting

and a loud blast fells

Bambi’s daddy?

Maybe the comprehension

of something so finite

is a quieter affair.

A slow realization

as we grow in age

like a silent snowfall;

the white building on black roofs

until all is covered.

And so the late night rain
falls on Tuscany
intoxicating her with strong wine
blurring her lights across wet black streets
like the watercolors sold by
so many art vendors in her piazzas.

And so she intoxicates lovers
with scents of jasmine and
coffee which float disembodied
down her streets.

They pull each other into
heated embraces fueled by
“ti amo”, the romance language
crushing into one another
in secluded courtyards
and rooftop gardens
and then run giggling through
puddles, their young love
echoing through the Tuscan night.

Feed me to the wolves

maybe then I’ll be good for something.

Then collect my bones,

bleach them in the desert sun,

and string them up.

Make them into wind chimes

and hang them from your window.

Finally, I’m beautiful.

I follow your scars with my fingertips,

like when you look at a map

and you know where you’re going

but your fingers trace over

the black line roads as if

trying to memorize

every curve,

every turn,

every intersection.

-

Your body is a map, perhaps

faded yellow from years stored

in the glove compartment of

a dusty powder-blue Ford.

Unfolded and creased,

your endless routs and landmarks

fill me with wanderlust.

Curving seduction across the page

is my lover’s script

A joyous tumbling and turning

sends my heart to stuttering madness

-

The end flares are my smiles

and ink spits are my nervous laughter

bubbling forth, broken and shaky

A quivering love beautifully scrawled

-

In their entirety, the letters’ lines

remind me of my lover’s form

each character carefully complete

each word evenly spread from the next

-

But the end is what most thrills me

“With all my love,” and a signature

a name that captures my heart,

a set of simple curves at the bottom of a page

With all my love,

                    Your funny little artist.